(no subject)
Aug. 23rd, 2005 07:07 pmI was on vacation all of last week in a place with no phone, no television, no internet, no mail or newspaper delivery... While this arrangement gave me the opportunity to do lots of reading, returning to the modern world has been an adjustment, to say the least.
Anyhow, while on vacation I finished Tehanu, the last of the Earthsea books. This book makes such a difficult, complicated end to the series. There are aspects of it that I love as much now as I did when I was a teenager, yet they exist side by side with significant flaws that have only become evident to me in my last few readings. I can see why LeGuin wanted to return to Earthsea, why she took issue with the world that she herself created, and why she felt compelled to address those issues in this book, but I think that in so doing she overcorrects herself; I found myself thinking over and over again, "But it wasn't that bad in the other books! Really, it wasn't!" There's a stridency to the book's feminism that is unbecoming and unnecessary, there's an oversimplification in the book's world-view that detracts from its message.
Despite the oversimplification of the book's political message, the characters are as real and as complex as any LeGuin has ever written. I never fail to be moved by the relationship between Ged and Tenar. The connection that they share feels very real to me. They have gone in different directions since they parted at the end of The Tombs of Atuan, they haven't always been a part of each other's lives, but the intensity of the experiences they shared when they were young forged a bond between them strong enough to negate time and distance. They may not have been a part of each other's lives, but they have always been in each other's thoughts. I love the way they go over their shared history, Ged on his knees in the garden, asking her again and again, "Do you remember?" Looking for her reassurance, wanting to know that the memories are important to her too. And though they haven't seen each other or spoken in years, they are able to talk and to be silent together; it is both easy and hard for them to be with each other. Ah, and when she tells him, "Nothing is wasted. Nothing is ever wasted!" and when he, waking in the morning, looks at her and calls her "Life-giver!" Ah, lovely.
After Tehanu, I read The Ballad of the Sad Cafe by Carson McCullers. It's a novella and a collection of stories, written, as best I can tell, at widely different points in her career. Nothing that I've read of McCullers's since The Heart Is a Lonely Hunter has blown me away the way that book did, and this was no exception. I liked the novella, and was suitably horrified by it's strange ending, but the stories were less than stellar. Not that they were bad stories--they were competent and written with obvious care--but they didn't seem to amount to much. None of them grabbed me, and I'd be surprised if any of them stay with me for any amount of time. Maybe it's just a case of me getting my expectations up too high, but I think it's more than that. It seems like there was something missing from Sad Cafe, the same thing that was missing from Reflections in a Golden Eye, although I can't put my finger on what it is. Perhaps it's the intensity of empathy in Lonely Hunter that these subsequent books lack.
Last but not least, I started reading Dan Chaon's You Remind Me of Me, on loan from N. It's intriguing, although it seems slightly scattered at this point. I'm not very far along yet, though, so I'm hoping that may become less of an issue as I go on. I have a few thoughts at this point, but I think I'll wait until I've read a little bit more of it before sharing them.
Anyhow, while on vacation I finished Tehanu, the last of the Earthsea books. This book makes such a difficult, complicated end to the series. There are aspects of it that I love as much now as I did when I was a teenager, yet they exist side by side with significant flaws that have only become evident to me in my last few readings. I can see why LeGuin wanted to return to Earthsea, why she took issue with the world that she herself created, and why she felt compelled to address those issues in this book, but I think that in so doing she overcorrects herself; I found myself thinking over and over again, "But it wasn't that bad in the other books! Really, it wasn't!" There's a stridency to the book's feminism that is unbecoming and unnecessary, there's an oversimplification in the book's world-view that detracts from its message.
Despite the oversimplification of the book's political message, the characters are as real and as complex as any LeGuin has ever written. I never fail to be moved by the relationship between Ged and Tenar. The connection that they share feels very real to me. They have gone in different directions since they parted at the end of The Tombs of Atuan, they haven't always been a part of each other's lives, but the intensity of the experiences they shared when they were young forged a bond between them strong enough to negate time and distance. They may not have been a part of each other's lives, but they have always been in each other's thoughts. I love the way they go over their shared history, Ged on his knees in the garden, asking her again and again, "Do you remember?" Looking for her reassurance, wanting to know that the memories are important to her too. And though they haven't seen each other or spoken in years, they are able to talk and to be silent together; it is both easy and hard for them to be with each other. Ah, and when she tells him, "Nothing is wasted. Nothing is ever wasted!" and when he, waking in the morning, looks at her and calls her "Life-giver!" Ah, lovely.
After Tehanu, I read The Ballad of the Sad Cafe by Carson McCullers. It's a novella and a collection of stories, written, as best I can tell, at widely different points in her career. Nothing that I've read of McCullers's since The Heart Is a Lonely Hunter has blown me away the way that book did, and this was no exception. I liked the novella, and was suitably horrified by it's strange ending, but the stories were less than stellar. Not that they were bad stories--they were competent and written with obvious care--but they didn't seem to amount to much. None of them grabbed me, and I'd be surprised if any of them stay with me for any amount of time. Maybe it's just a case of me getting my expectations up too high, but I think it's more than that. It seems like there was something missing from Sad Cafe, the same thing that was missing from Reflections in a Golden Eye, although I can't put my finger on what it is. Perhaps it's the intensity of empathy in Lonely Hunter that these subsequent books lack.
Last but not least, I started reading Dan Chaon's You Remind Me of Me, on loan from N. It's intriguing, although it seems slightly scattered at this point. I'm not very far along yet, though, so I'm hoping that may become less of an issue as I go on. I have a few thoughts at this point, but I think I'll wait until I've read a little bit more of it before sharing them.