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I watched at the window; I watched at the creek. A new wind lifted the hair on my arms. The cold light was coming and going between oversized, careening clouds; patches of blue, like a ragged flock of protean birds, shifted and stretched, flapping and racing from one end of the sky of the other. Despite the wind, the air was moist; I smelled the rich vapor of loam around my face and wondered again why all that death--all those rotten leaves that one layer down are black sops roped in white webs of mold, all those millions of dead summer insects--didn't smell worse. When the wind quickened, a stranger, more subtle scent leaked from beyond the mountains, a disquieting fragrance of wet bark, salt marsh, and mud flat.

I lay in bed last night and read Annie Dillard on the coming of fall, and it felt profoundly appropriate. Though we still have temperatures that reach the mid-70s, the season has unmistakably changed. My mother gave me apples at Lake Ontario last weekend, and this weekend I baked an apple crisp with cinnamon and pecans. And then, because I had strawberries that were at the end of their life, I baked strawberry muffins. It was lovely to have the oven on and warm smells filling the apartment. And it was lovely to have tea and a strawberry muffin for breakfast this morning. I will have to begin feeding the birds again soon.
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I read "The Dead" last week for the first time in several years. It was more wonderful than I had anticipated to return to this story which is so beautiful and familiar in all of its particulars: Freddy Malins turning up screwed at the party; Aunt Kate and Aunt Julia bustling on the stairs; Gabriel being called a West Briton by Molly Ivors; and then Gretta on the stairs, listening to the faint music that reminds her of Michael Furey... I was overcome with emotion reading the end of the story, much more than I had been the first time I read it, and I wondered if this story might actually be Joyce's greatest work. Could it be better than Ulysses? Is that possible?

This weekend I read Katherine Mansfield's novella, "At the Bay." It was a strange work, made of loosely connected sections that felt quite slight individually, but added up to...something. Not a cohesive narrative exactly, but something that felt like an Impressionist portrait of a community. She seems to look at her subjects only sidelong, yet to come away with penetrating insight. I have never read Mansfield before, so I can't say if this is typical of her work.

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My goal for my last year of grad school is not to be frantic. To work steadily, every day, and to have that be enough. The previous two years have been characterized by stress and last minute scrambles to finish work, to grade papers, to throw words onto a page, to do what I needed to do to get through the next day. And I don't want to do that anymore.
decemberthirty: (me)
I have the urge today to wander all over the city, swim in the snotgreen sea, buy a cake of lemon-scented soap, make inappropriate comments about God to my employer, eat with relish the inner organs of beasts and fowls, exchange secret love letters under a pseudonym, attend an acquaintance's funeral, be cuckolded by a smarmy singer, give an inadvertent tip on a racehorse, espouse mad theories about Shakespeare in the library, watch a lovely young girl expose herself to me on the strand, think about my dead father and dead son, get assaulted by a one-eyed bigot in a pub, fly like a shot off a shovel, be whispered about and insulted everywhere I go, break a lamp with an ash plant in a nightmarish whorehouse, sleep upside down in bed, and end my day thinking about the time on the heath when I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
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Well, I started reading A Good Scent from a Strange Mountain by Robert Olen Butler this morning. It's a book of stories about Vietnam and particularly about the lingering impact of the Vietnam War on the country and the people there. I've hardly read enough of it to have any kind of opinion yet, but it looks interesting, particularly in light of having recently seen and greatly enjoyed the movie A Quiet American.

The real significance in starting this book, however, is that it means that I'm giving up the ghost with Ulysses this time around. I'm glad that I tried. I really enjoyed a great deal of it, and it renewed my appreciation for Joyce's genius. But I think that I am making the right decision by moving on. Trying to finish Ulysses was preventing me from reading at all, and that wasn't a good situation. It felt so good this morning to pick up a book and start reading, so now I'm sure that I made the right decision.
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The last time I wrote, I was talking all about how I had to get my act together and get back on track. Well, I've done a fairly good job of this except in one area: reading. I got bogged down in the "Oxen of the Sun" chapter of Ulysses months ago, and have yet to pick it back up. Nor have I picked up any other books. I have the feeling that I can't possibly read something else because I'm in the middle of Ulysses, but I have no real desire to force myself to wade through "Oxen of the Sun", especially since it's been so long since I've picked it up and I'm feeling pretty disconnected from the story. I was really into it for awhile, as you can tell from some of my old posts, but that feeling is definitely gone now. I know that there are good parts coming up, particularly "Ithaca" and "Penelope", but I've got to get through both "Oxen of the Sun" and the incredibly long and daunting "Circe" before I get there.

So I figure that I've got three options right now. (1) I can go back to Ulysses, pick up right where I left off and try to forge bravely ahead. (2) I can decide to skip "Oxen of the Sun" entirely, read what Harry Blamires has to say about it in The Bloomsday Book, and see if I can get through the final remaining chapters. Or (3) I can put Ulysses away entirely and go read any one of the other interesting books that are getting backed up on my list of books to read. I really want to get back to reading, but I'm having a hard time deciding which of these choices to pursue.

My trouble is that I started reading Ulysses again specifically because I hadn't read it completely the first time and I wanted to do that. For awhile I really thought that I had made a great decision. I was really enjoying it, and getting a lot out of it, and appreciating the intellectual challenge of it... But then I hit a roadblock, stopped reading for a while and lost all of that enjoyment. Theoretically, I could regain that if I sat back down with the book and started reading it again, but so far I haven't been able to make myself do that. I don't really like either choice 2 or choice 3 because they imply that I'm giving up on my goal of reading Ulysses from start to finish, but I have been unable to actually make choice 1 happen. So maybe it's time to stop being so hard on myself and realize that reading something is better than reading nothing at all. And Ulysses isn't going anywhere. If I don't get through it all this time, I can always try again in another year or so...
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Wow, I've been being a little bit of a bad person lately... Not merely because I've been letting this journal slide, but because I have been letting many many things in my life slide. Now, however, I am gradually getting my act back together. One step at a time, right? And soon, one of those steps will be getting back into reading. There were just a few other things that needed to get taken care of first. So yeah, I am going to forge ahead and finish Ulysses, and I will be posting about the process.
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I have been totally bogged down with Ulysses this past week. I have barely even cracked the book, and have made no progress to speak of. I'm a little annoyed at myself for this. I mean, it's a long and difficult book and therefore it takes a long time to read. It's understandable for me to get a little tired of it every once in a while, but just not reading is not the solution! I want to go on to read other things, but not until I finish this, so I need to read it rather than just sitting around waiting for it to finish itself! Plus, I'm so close... Just a few more chapters, including a couple of my favorites, "Ithaca" and "Penelope." The trouble is that in between me and those chapters that I love stands "Circe." The reason that I haven't read much lately is that I've been too busy cowering in fear of "Circe!" It is by far the most challenging episode in the book, and on top of that it's over a hundred pages long. So I'm intimidated by it. But that's no excuse. I must forge ahead!

Oh, and I seem to have stopped recording the things that I cook. I just never remembered to do it, so I guess I'll let it go...
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Guess what? I'm still reading Ulysses! I'm just finishing up the "Nausicaa" chapter, in fact. "Nausicaa" has always been one of my favorite chapters. Joyce does such a great job with Gerty MacDowell. He's able to perfectly capture the self-absorption and melodramatic point of view of a teenage girl. And then he gets to do more of Bloom's stream-of-consciousness that he does so well... It's quite a virtuoso chapter.

It's interesting that I seem to be posting less frequently now that I'm working on Ulysses. I usually only like to post when I have something to say, and that usually means that I have to have made significant progress in a book since my last post. I have to have at least made enough progress to allow me to develop some new thoughts that are interesting enough to set down. Ordinarily I read pretty quickly, and can make enough progress to have something to post every couple of days. With Ulysses, however, the reading is much more difficult and goes much more slowly. Not only that, but I'm trying to only read the book when I have a solid block of time that I can dedicate to it, so that means that I'm also reading less frequently. All of that adds up to fewer posts in this journal. I think that's just going to have to be the way it is until I'm through with this book.

It's odd to be involved in what is so obviously a "reading project," as opposed to my usual reading, which I do strictly for pleasure. I'm enjoying reading Ulysses, but not in the same way that I enjoy everything else that I read. I like the intellectual stimulation of reading something so difficult, I like being familiar with various aspects of the book from my previous reading, I appreciate Joyce's amazing talents, and I honestly do find much of the book to be beautiful and touching, but the whole thing is just a very different experience. It feels very distinctly like something that I am setting out to accomplish rather than something I am just doing for fun.
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Whew. I've been insanely busy so far today, and have not had a moment for anything until now. And even now I don't have many moments...

Anyhow, I am of course still reading Ulysses. I'm now in the middle of chapter 12, the "Cyclops" episode, which I'm enjoying immensely. I'm finding that the degree to which I enjoy a particular chapter corresponds directly with the amount of uninterrupted time that I am able to spend reading it. Most of the time, I read whenever I can in snatches of varying length. I might be able to read for an hour, or it might only be two minutes. That really doesn't work with Ulysses, however, and when I try to read that way I just wind up not enjoying the chapter. I really didn't like Chapter 11, and I think it's because I read too much of it in this way. Now I'm reading Chapter 12, which I did not like the first time I read the book, and I think it's great--just because I've had a chance to sit down and devote an hour to it all at once. I guess I'll have to make a special effort to that for the rest of the book.
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I had a long weekend due to President's Day, and thought that it would be an excellent time to visit my sister in Chicago. I was very wrong. The visit itself was lovely, but the three extra days in winter-storm-travel-disaster-hell that got tacked on to the end of it were not so much fun. Ugh. That's why I haven't posted in so long. But now I am finally back...

I am still reading Ulysses, and still enjoying it. I love the first four or five chapters, and I love the last couple chapters, but the middle seems a little bit spotty to me. There are certainly chapters in the middle that are great (such as "Wandering Rocks" which I'm in the middle of right now, and "Nausicaa", and a few others), but there are also several that I could do without...

I think I had more thoughts to relate, but it seems that they got lost somewhere in the past 48 hours of airports and transit and nonsense. Oh well.

One other thing that I did want to mention was that I saw The Quiet American, Michael Caine's new movie, based on a novel by Graham Greene about the very beginnings of America's involvement in Vietnam. I thought it was great movie, and Michael Caine is fantastic in it. It was even more interesting than that, however, because it really tied in with A Star Called Henry. I wrote a couple entries ago about how Henry was gradually growing disillusioned with the republican movement in Ireland, and he was slowly becoming aware of the different levels of deception that existed within the movement, and this movie had a very similar feeling to me. And I had some more intelligent things to say about this too, but again I can't seem to call them to mind... I am obviously not yet fully recovered from my ordeal. Oh well, another good night's sleep or two should take care of that.
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Had an unexpected day off yesterday. Lovely. I really enjoy the fact that I get a snow day whenever all the Philly kids do...

I'm still reading Ulysses, and I expect I will be for quite some time. The pattern that I've developed is to read a chapter of the Joyce and then immediately read the corresponding chapter in Harry Blamires's The Bloomsday Book. When I was reading Ulysses for class, I developed a rather snobbish attitude toward poor Blamires. Now that I'm reading the book without the benefit of a professor and class discussion and innumerable scholarly articles, however, I'm finding The Bloomsday Book to be quite helpful. I want to get as much as I can out of this, and while I'm able to pick up on a lot, there's just too much written into every single sentence for me to possibly be aware of all the different significances without some help. Reading The Bloomsday Book for help with Ulysses is no more like "cheating" than relying on my dad's marginalia to help me get through Napoleon's Symphony or The Sound and the Fury (both books that are really excellent, but that may have simply frustrated and mystified me without a helping hand).

Anyhow, I've just finished the fourth chapter ("Calypso"), which is one of my favorite chapters in the book. I love the way that Bloom is introduced to the reader. Meeting him as he's going through his morning routine has a very humanizing effect. Seeing Bloom for the first time in such absolutely ordinary circumstances almost guarantees that the reader will instantly identify with him. Later on, by the time we begin to learn about what an outcast Bloom is, we are thoroughly in his camp. Rather than joining in with those who ridicule Bloom, readers can almost feel themselves being excluded right along with him. This potentially stems from Joyce's own famously conflicted feelings about Dublin in particular and Ireland in general. Writing from his self-imposed exile, he doesn't feel at home in Dublin and so he makes sure that his character and by extension his readers don't feel at home there either.

The other thing that I've been struck by is Joyce's amazing talent for stream-of-consciousness writing. You always think of Molly's soliloquy at the end of the book as the incredible stream-of-consciousness tour-de-force, and it certainly is, but there are other amazing examples that should not be overlooked. Molly's soliloquy is certainly a work of genius, but I don't think I find it substantially more impressive than the way in which Joyce is able to capture Stephen's thoughts in the "Proteus" chapter, or Bloom's in "Calypso". I suppose that those chapters are not generally considered stream-of-consciousness because, unlike Molly in "Penelope", the thoughts that they relate are taking place within the framework of everyday lives and are therefore interrupted and changed by details and occurrences that are external to the consciousness in question. That, however, is just what I find most impressive about them. I'm amazed by the fact that Joyce can so accurately capture the way the details of the environment and the events that are happening can work their way into the consciousness of the character. I'm having difficulty expressing just what I mean... I think what I'm trying to say is that in "Calypso" when we see the inside of Bloom's head as he's walking down the street, it feels just like the inside of my head as I'm walking down the street. The way in which he notices things and responds to them in his thoughts, the way a train of thought will peter out as he gets distracted by something and then will return in different form later on, the way all the events and interruptions are narrated from deep within the character's thoughts... It's remarkable. And Joyce achieves the same effect with Stephen in "Proteus." I also think it's worth noting that these streams-of-consciousness were not dashed off overnight by Joyce. The book took him seven years to write, so he clearly labored over it. The idea of him tinkering with this stuff for years, continually fine-tuning it, and having it come out so perfectly--just as changeable and fleeting as thoughts really are, despite his years and years of effort--is really amazing to me.

Oh yes, and as far as cooking goes, I had an absolute flop last night! Emboldened by my success with the Indian curried meatballs a week or two ago, I tried making a southern Indian shrimp dish... The sauce was unbelievably spicy and tasted of almost nothing but black pepper. I could hardly eat it. Very disappointing.
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